Scoriandrus Directory 05

What, again, is one to make of Dickens, with his love of private theatricals, his florid waistcoats and watch-chains, his sentimental radicalism, his kindly, convivial, gregarious life? He, again, did his work in a rapture of solitary creation, and seemed to have no taste for discussing his ideas or methods. Then, too, Dickens's later desertion of his work in favour of public readings and money-making is curious to note. He was like Shakespeare in this, that the passion of his later life seemed to be to realise an ideal of bourgeois prosperity. Dickens seems to have regarded his art partly as a means of social reform, and partly as a method of making money. The latter aim is to a great extent accounted for by the miserable and humiliating circumstances of his early life, which bit very deep into him. Yet his art was hardly an end in itself, but something through which he made his way to other aims.

Mr. Wallace observed two male adult Orangs (Mias Kassu of the Dyaks), however, so very different from any of these that he concludes them to be specially distinct; they were respectively 3 feet 81/2 inches and 3 feet 91/2 inches high, and possessed no sign of the cheek excrescences, but otherwise resembled the larger kinds. The skull has no crest, but two bony ridges, 13/4 to 2 inches apart, as in the _Simia morio_ of Professor Owen. The teeth, however, are immense, equalling or surpassing those of the other species. The females of both these kinds, according to Mr. Wallace, are devoid of excrescences, and resemble the smaller males, but are shorter by 11/2 to 3 inches, and their canine teeth are comparatively small, subtruncated and dilated at the base, as in the so-called _Simia morio_, which is, in all probability, the skull of a female of the same species as the smaller males. Both males and females of this smaller species are distinguishable, according to Mr. Wallace, by the comparatively large size of the middle incisors of the upper jaw.

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