|
|
Scoriandrus Directory 06
Page 05
An Aurochs in blind rage, charging through thick and thin, has had a fascination for me as long as I can remember. The true aurochs and this, the European Bison, ceased to exist in the British Isles, except in the Zoological Gardens; but the latter is still found wild in Lithuania, and is also carefully preserved in other parts of Russia, of which the Emperor has a herd. There is much talk about their being untamable--that they will not mix with tame cattle--that tame cows shrink from the aurochs' calves; but does not any cow shrink from any calf not her own? The American Bison, with which you are all pretty familiar, is very similar to the one just mentioned. There have been several attempts made to domesticate the American bison, and have been so far successful. The size and strength of the animal make it probable that if domesticated, it would be of great use.
In the parish church at Saas-Grund there are two altar-pieces which deserve attention. In the one over the main altar the arrangement of the Last Supper in a deep recess half-way up the composition is very pleasing and effective; in that above the right-hand altar of the two that stand in the body of the church there are a number of round lunettes, about eight inches in diameter, each containing a small but spirited group of wooden figures. I have lost my notes on these altar-pieces and can only remember that the main one has been restored, and now belongs to two different dates, the earlier date being, I should imagine, about 1670. A similar treatment of the Last Supper may be found near Brieg in the church of Naters, and no doubt the two altar-pieces are by the same man. There are, by the way, two very ambitious altars on either side the main arch leading to the chance in the church at Naters, of which the one on the south side contains obvious reminiscences of Gaudenzio Ferrari's Sta. Maria frescoes at Varallo; but none of the four altar-pieces in the two transepts tempted me to give them much attention. As regards the smaller altar-piece at Saas-Grund, analogous work may be found at Cravagliana, half-way between Varallo and Fobello, but this last has suffered through the inveterate habit which Italians have of showing their hatred towards the enemies of Christ by mutilating the figures that represent them. Whether the Saas work is by a Valsesian artist who came over to Switzerland, or whether the Cravagliana work is by a Swiss who had come to Italy, I cannot say without further consideration and closer examination than I have been able to give. The altar-pieces of Mairengo, Chiggiogna, and, I am told, Lavertezzo, all in the Canton Ticino, are by a Swiss or German artist who has migrated southward; but the reverse migration was equally common.
|
