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Scoriandrus Directory 09
Page 01
The Pre-Raphaelites, for instance, were a group and not a coterie. They were engaged in working and enjoying, in looking out for artistic promise, in welcoming and praising any performance of a kind that Rossetti recognised as "stunning." They were sure of their ground. The brotherhood, with its magazine, The Germ, and its mystic initials, was all a gigantic game; and they held together because they were revolutionary in this, that they wished to slay, as one stabs a tyrant, the vulgarised and sentimental art of the day. They did not effect anything like a revolution, of course. It was but a ripple on the flowing stream, and they diverged soon enough, most of them, into definite tracks of their own. The strength of the movement lay in the fact that they hungered and thirsted after art, clamouring for beauty, so Mr. Chesterton says, as an ordinary man clamours for beer. But their aim was not to mystify or to enlarge their own consequence, but to convert the unbeliever, and to produce fine things.
However, thanks to the great civility of the managers of the Booth Line at Manaos, and to the extreme thoughtfulness of the captain of the _Atahualpa_, I was made quite comfortable in the chart-room of the ship, which was as far away as possible from the noise. We were most of the time in mid-stream. The river was so wide that we could not see anything on either side. We steamed up day after day, occasionally passing islands of some beauty rising above the muddy waters of the Solimoes. Navigation of that river was difficult, as the navigable channels were constantly changing, islands disappearing and new islands forming all the time. Elich Island, in the Timbuctuba group, was fast disappearing, while another island was forming just below it.
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