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Scoriandrus Directory 09
Page 09
William Blake (1757-1827) was hardly a painter at all, though he drew and colored the strange figures of his fancy and cannot be passed over in any history of English art. He was perhaps the most imaginative artist of English birth, though that imagination was often disordered and almost incoherent. He was not a correct draughtsman, a man with no great color-sense, and a workman without technical training; and yet, in spite of all this, he drew some figures that are almost sublime in their sweep of power. His decorative sense in filling space with lines is well shown in his illustrations to the Book of Job. In grace of form and feeling of motion he was excellent. Weird and uncanny in thought, delving into the unknown, he opened a world of mystery, peopled with a strange Apocalyptic race, whose writhing, flowing bodies are the epitome of graceful grandeur.
Sylla was now in the possession of absolute power. He was master of Rome, and of all the countries over which Rome held sway. Still he was nominally not a magistrate, but only a general returning victoriously from his Asiatic campaign, and putting to death, somewhat irregularly, it is true, by a sort of martial law persons whom he found, as he said, disturbing the public peace. After having thus effectually disposed of the power of his enemies, he laid aside, ostensibly, the government of the sword, and submitted himself and his future measures to the control of law. He placed himself ostensibly at the disposition of the city. They chose him dictator, which was investing him with absolute and unlimited power. He remained on this, the highest pinnacle of worldly ambition, a short time, and then resigned his power, and devoted the remainder of his days to literary pursuits and pleasures. Monster as he was in the cruelties which he inflicted upon his political foes, he was intellectually of a refined and cultivated mind, and felt an ardent interest in the promotion of literature and the arts.
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