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Scoriandrus Directory 10
Page 02
The Whooping Crane is much larger than the common crane, which it otherwise much resembles except in color; its plumage, in its adult state, is pure white, the tips of the wings black. He spends the winter in the southern parts of North America, and in summer migrates far northwards. The crane feeds on roots, seeds, etc., as well as on reptiles, worms, insects, and on some of the smaller quadrupeds. They journey in flocks from fifty to a hundred, and rise to an immense height in the air, uttering their loud harsh cries, and occasionally alighting to seek food in fields or marshes; and when they descend on a field they do sad havoc to the crops, several doing sentinel duty while the majority are feeding. In general it is a very peaceful bird, both in its own society and those of the forest.
Lucas Cranach (1472-1553) was a Franconian master, who settled in Saxony and was successively court-painter to three Electors and the leader of a small local school there. He, perhaps, studied under Gruenewald, but was so positive a character that he showed no strong school influence. His work was fantastic, odd in conception and execution, sometimes ludicrous, and always archaic-looking. His type was rather strained in proportions, not always well drawn, but graceful even when not truthful. This type was carried into all his works, and finally became a mannerism with him. In subject he was religious, mythological, romantic, pastoral, with a preference for the nude figure. In coloring he was at first golden, then brown, and finally cold and sombre. The lack of aerial perspective and shadow masses gave his work a queer look, and he was never much of a brushman. His pictures were typical of the time and country, and for that and for their strong individuality they are ranked among the most interesting paintings of the German school. Perhaps his most satisfactory works are his portraits. Lucas Cranach the Younger (1515-1586) was the best of the elder Cranach's pupils. Many of his pictures are attributed to his father. He followed the elder closely, but was a weaker man, with a smoother brush and a more rosy color. Though there were many pupils the school did not go beyond the Cranach family. It began with the father and died with the son.
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